$napshots from the installation

I’m wrapping up 2024 with a bang, the debut of Making It: $napshots from the Artist Pay Project, which opened last month at the University of Michigan.

$napshots from the installation
Me, standing in front of the title wall for Making It: $napshots from the Artist Pay Project.

It’s time for my annual — "how is this year already coming to an end?"

I’m grateful to wrap up 2024 with a bang, the debut of Making It: $napshots from the Artist Pay Project, which opened last month at the University of Michigan.

The installation is a manifestation of work, both journalism work and deep internal work that began when I was a fellow at the Wallace House and Center for Racial Justice at the University of Michigan in 2022. I spent much of my time in these fellowships thinking about how to show up more authentically — combining what I then considered disparate parts of myself, the writer and the dancer, together.

It was such an incredible feeling to see this vision come to life. To see the stories artists shared with me spring from the page onto the walls at the university’s business school. The installation is in a study space on campus and it was also cool to see students absorbing the work unintentionally.

About 90 people showed up for the opening, which was a lovely surprise. Most importantly, I heard from artists that the installation resonated deeply and helped them feel less alone in the struggles they’ve faced to make a living from their work.

In show, don't tell fashion, here are some photos from the installation:

Behind orange couches is one of the installation sections focused on artist portraits. It features 6 red wood panels. Three are photos, the other 3 are quotes.
The installation is organized by theme. This theme features photos (by Sylvia Jarrus, Rubini Naidu, and Charlie Camuglia) of some of the artists I interviewed. Photo by Scott Soderberg, UM Photography.
Two people, photographed from behind watch a video on a television. The tv shows the quote, Art is Power
One of my favorite parts of the exhibition is "Pay Us!" a 50-minute video compilation of interviews, archival footage, art films, and TikToks exploring pay equity and the beauty of art in our world. Photo by Scott Soderberg, UM Photography.
A large purple wood panel shows the background, income, and expenses for a Columbus Ohio based artist
Designed by Carina Tort Ortiz, the bulk of the installation consisted of wood panels that highlighted excerpts from interviews I've done. This section focuses on the numbers — how one artist from Ohio makes a living. Photo by Scott Soderberg, UM Photography.
Two people, photographed from behind answer the question, how much money do you need to live comfortably, using colorful post it notes
Part of the installation includes three engagement questions for attendees to answer. Photo by Scott Soderberg, UM Photography.
A photo of me, dressed in a butterfly two piece outfit addressing a small crowd of people in the installation
During the opening, I gave some remarks where I shared the inspiration behind the Artist Pay Project and my goals. Photo by Scott Soderberg, UM Photography.
Six people stand smiling in front of the opening text of the installation
Some of my Knight Wallace friends showed up for the opening. I'm so grateful for their support. Photo by Scott Soderberg, UM Photography.
Photo of a painter smiling in a paint-splattered apron while working on a new commission
The opening featured live painting by local artist, Katie Hammond. In Katie's newsletter, she wrote this about being part of the event: "artist pay is a subject that is rarely discussed and, if society values art, artists need to be able to make a living." Photo by Scott Soderberg, UM Photography.
Five people sit on wooden benches in the installation space. They're speaking on a panel
Earlier this month, we hosted a panel in the installation space about the business of creativity. I'm (R), joined by art administrator Gabrielle Piazza, theatremaker Jake Hooker, sociology PhD candidate Erykah Noelle Benson, and host Jerry Davis, a professor in the business school. Photo by Christina Merrill, UM Photography.

I also made this TikTok walking through the installation space.

@theartrebellion

Here’s a look at the Artist Pay Project installation! Making It: $napshots from the Artist Pay Project pulls from 30+ interviews with artists around the country about just how hard it is to make a living in the US. Read the full interviews at theartrebellion.net #artistsoftiktok #artiststruggles #journalism

♬ Storytelling - Adriel

There is so much more that I plan on sharing over the next couple months. Stay tuned 😊.


Acknowledgements

This isn't just my work, a team of creative and talented people came together to make the installation happen:

Making It: $napshots from the Artist Pay Project would not be possible without a community of support. We would like to thank collaborators, the University of Michigan Arts Initiative, DUO Fine Art Services, and Ross Impact Studio. The exhibition team, Kathryn Grabowski-Khairullah, Jon Geiger, Carina Tort Ortiz, Cat Johnson. Artist Pay Project supporters including the Wallace House and Ford Center for Racial Justice. Contributors to the installation including photographers Sylvia Jarrus, Rubini Naidu, and Casual Science. Video editor Thane Montgomery. Organizations included in the Pay Us! video: the art rebellion, Asura Creative, Art Ain’t Innocent, More Perfect Union, Salary Transparent Street, and others. And a special thank you to all the artists from across the U.S. who participated in the Artist Pay Project.

What's next?

My dream is to expand the project and install the work in other spaces around the country. I'm currently continuing my reporting with Chicago-based artists, and next year, I plan to release an Artist Pay Project zine. If you have any ideas for potential partners or opportunities to share the work with new audiences, please let me know!

In working on the Artist Pay Project, I’ve realized the artist struggle is also my struggle as a freelance journalist and creative. As much as I love and feel dedicated to this work, I’ve been thinking deeply about sustainability and burnout.

My goal is to find ways to fund the art rebellion (that are not just sporadic small grants) so that I’m able to pay myself for the work that goes into it. This year has been tough for me, and I have to make some difficult financial choices. These are the same type of negotiations the artists I’ve interviewed have to make — when to pursue their craft and when to take a step back.

With that, I plan on slowing down on all things art rebellion for a bit. So if you don't hear from me for a while, I'm still here, just embodying a snail's pace until things stabilize.


Further reading on Making It

It's been an odd, but good feeling being interviewed about my work instead of being the person with the recorder and notebook on the other end. Check out some coverage on the installation:

  • Student newspaper, the Michigan Daily, covered the exhibit
  • The communications team at the university's policy school interviewed me about the project
  • The university's Arts Initiative also featured the installation
  • As part of this work, I compiled a list of resources focused on fair pay. Please spend some time with the guide, share it with friends, and let me know if there are any other resources worth adding!
Resource roundup: Your guide to fair pay in the arts
How organizations and policy reforms are paving the way for pay equity in the arts across the U.S.

As always, thank you so much for supporting my work. It means the world to me. I hope you all have a peaceful and restful final few weeks of 2024.

Please consider sharing this work with a friend and following this work on Instagram and TikTok.

Happy holidays and see y’all in 2025! ✨

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